Direct Response
My work explores the relationship between Critical theory and counter-terrorism. With influences as diverse as Kafka and Miles Davis, new insights are crafted from both opaque and transparent meanings. Ever since I was a pre-adolescent I have been fascinated by the theoretical limits of relationships. What starts out as hope soon becomes corrupted into a dialectic of lust, leaving only a sense of what could have been and the dawn of a new order. As shimmering forms become reconfigured through frantic and repetitive practice, the viewer is left with a tribute to the limits of our existence.
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info_outlineDirections
- Step 1. Describe
- Step 2. Analyze
- Step 3. Interpret
- Step 4. Judge
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commentFeedbackmode_editsendSubmit
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Robert Roberson
Date: 11/11/2011
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It should be added that the reductive quality of the purity of line visually and conceptually activates the remarkable handling of ljght. -
Robert Roberson
Date: 11/11/2011
thumb_up
Although I am not a painter, I think that the reductive quality of the Egyptian motifs contextualize a participation in the critical dialogue of the 90s. -
Robert Roberson
Date: 11/11/2011
thumb_up
I'm troubled by how the metaphorical resonance of the purity of line notates the essentially transitional quality. -
Robert Roberson
Date: 11/11/2011
thumb_up
Although I am not a painter, I think that the iconicity of the purity of line visually and conceptually activates the distinctive formal juxtapositions.
Discussion Thread
My work explores the relationship between Critical theory and counter-terrorism. With influences as diverse as Kafka and Miles Davis, new insights are crafted from both opaque and transparent meanings. Ever since I was a pre-adolescent I have been fascinated by the theoretical limits of relationships. What starts out as hope soon becomes corrupted into a dialectic of lust, leaving only a sense of what could have been and the dawn of a new order. As shimmering forms become reconfigured through frantic and repetitive practice, the viewer is left with a tribute to the limits of our existence.
-
info_outlineDirections
- Step 1. Describe
- Step 2. Analyze
- Step 3. Interpret
- Step 4. Judge
Discussion Thread
-
commentFeedback
mode_edit
sendSubmit
-
Robert Roberson
Date: 11/11/2011
It should be added that the reductive quality of the purity of line visually and conceptually activates the remarkable handling of ljght.
thumb_up
-
Robert Roberson
Date: 11/11/2011
Although I am not a painter, I think that the reductive quality of the Egyptian motifs contextualize a participation in the critical dialogue of the 90s.
thumb_up
-
Robert Roberson
Date: 11/11/2011
I'm troubled by how the metaphorical resonance of the purity of line notates the essentially transitional quality.
thumb_up
-
Robert Roberson
Date: 11/11/2011
Although I am not a painter, I think that the iconicity of the purity of line visually and conceptually activates the distinctive formal juxtapositions.
thumb_up
Robert Roberson
Date: 11/11/2011
It should be added that the reductive quality of the purity of line visually and conceptually activates the remarkable handling of ljght.
Robert Roberson
Date: 11/11/2011
Although I am not a painter, I think that the reductive quality of the Egyptian motifs contextualize a participation in the critical dialogue of the 90s.
Robert Roberson
Date: 11/11/2011
I'm troubled by how the metaphorical resonance of the purity of line notates the essentially transitional quality.
Robert Roberson
Date: 11/11/2011
Although I am not a painter, I think that the iconicity of the purity of line visually and conceptually activates the distinctive formal juxtapositions.